Description
OFFERS OVER AU $250.
Part of a good-sized consignment of vintage Barsony ceramic pieces. We have 5 or 6 Barsony pieces to be sold from this consignment. Located in BRUNSWICK, MELBOURNE, this is part of a deceased estate. The Executor of the Will has agreed to professionally pack these items for postage and take them to the post office. (She’s had a lot of experience packing delicate items as her Dad is ceramicist.) Your offer price will INCLUDE packing and delivery to the local post office. Postage fees will be calculated AFTER packing and then will be invoiced to you separately.
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Provenance and Background Info
(Written in 2023)
I believe this is a Barsony piece. It has all the hallmarks of Barsony and came from an estate that contained various archived (and marked) Barsony pieces. The glaze texture looks right, the painting has been expertly done- copies look like copies- with this one the painted decoration has been done expertly, with precision and flair. Usually the painted details on copies look clumsy and lack experience. I’ve been studying Barsony ceramics for 8 months now and have spent many hours to become well-versed on the subject but I couldn’t call myself an “expert”. The subject is just too broad- I don’t think there are many out there who could be called experts. With this one, it is up to you to make a judgement- I think it’s Barsony and it’s a rare one. But again, I can’t make any definite judgement because the design is just too rare and I don’t think many people could. It’s definitely VINTAGE and a nice piece (I like the colour combinations on this example)- that is all I can say with certainty.
Barsony ceramics is one of Australia’s most celebrated decorative arts companies to ever operate and the matt-black pieces in this style are the most collectable. Barsony Ceramics produced decorative ceramic wares in the 1950’s and 1960’s, operating in Sydney by George Barsony (1917-2010) and Jean Barsony from the early 1950’s to the early 1970’s. Ellis pottery is the only Australian pottery firm I can think of that is probably more celebrated- in my eyes Barsony comes in a close second.
Barsony products became so popular in the 1950’s and 60’s that the factory in Guildford, Western Sydney operated 24 hours a day to satisfy demand. Barsony ceramics became unfashionable in the late-70’s and 1980’s when Chinese-made items started to flood the Australian market. Most vintage pieces at this time were seen as being “daggy” and “for poor people”. Many people thought of items such as Barsony pieces as junk and threw them out. Numbers have diminished over the years. Around 2002, fashions changed and vintage pieces slowly started to become more sought-after. Kitsch items became cool in the early noughties- Barsony black lady lamps started to feature in the upmarket vintage shops in our Capital cities. At around 2003 black lady lamps in good condition were being sold for around $300. Since COVID all things vintage reached a height of popularity never seen before. Today in 2022, vintage pieces made in Australia have become extremely sought after and hotly contested when they come onto the market. Good examples are now consistently fetching over $1200 each- I’ve seen many bid up in auction to over $1500 (written 2022).
I think the appeal is because of the seamless melding of retro kitsch with timeless elegance. Many Barsony pieces are stylish, elegant pieces of design- the hand-painted decoration on the other hand is often the epitome of kitsch and retro. This contrast creates an intriguing look that draws you in. Well-placed, they work in any interior but in those cool retro spaces with vintage Kartell pieces, Guzzini lamps and the like, Barsony pieces meld in brilliantly.
I love the hand-painted detailing on this one. Barsony pieces often stand apart because of the level of sophistication seen in the hand-painted decoration. It is said that Jean Barsony often sat at her kitchen table at night, surrounded by grandchildren, painting these pieces. The nostalgia this scene conjures up is heart-warming and it is my hope that visions like this will encourage more Australians today to try their hand at something creative. A resurgence in valuing locally-produced creative endeavours will surely bring about a positive effect in our communities.
George Barsony, a sculptor from Hungary arrived in Australia as a refugee after WWII. Soon after, he met his future wife Jean who had come to Australia from England and worked as a potter in Sydney. They established Barsony Ceramics together in 1950’s which operated in a factory in Guernsey Street, Guildford (Western Sydney) until the 1970’s.
Many Barsony products were marked, some have no markings and others have a foil label. As with anything that became popular, copies of Barsony items were made at the time. Many copies were unmarked however there was a range of similar items made by Kalmar which adopted a similar marking system to Barsony.
The most recognisable Barsony product are the “black lady” lamps, featuring a scantily dressed figure with highlights in red and other colours. Some lamps incorporated an ash tray as well. At that time a high sales tax was levied on ornamental items, while utilitarian items such as cups, plates and ashtrays attracted a reduced sales tax.
The story of Barsony ceramics is yet another of resilience and success that has coloured Australia’s rich history in the Arts. Australia’s indigenous artists are regarded as some of the best in the world. On top of this, many artists who fled Europe and settled in Australia as a result of political unrest / World War II, went on to become some of Australia’s most celebrated artists ever, including George Barsony. In my time setting up and running iNVISeDGE, I have read time and time again stories of refugees who set up industries in their garages in the 1950’s and went on to achieve success they could only dream of. Many of these people came to Australia with no physical assets and the trauma of having to flee home and venture into the unknown. We can all learn from their industriousness and resilience.
Barsony ceramic pieces are now one for the history books. These items, that have now inspired us for 70 years, have leapt in value in recent times and I see no reason why this trend won’t continue. After modern, mass-produced items are no longer in trend and end up landfill, vintage Barsony pieces will be passed on to yet another owner and then another generation. These pieces are set to be passed on for centuries, gathering more stories as they go. Investing in vintage pieces is a great way to invest in your home, reduce landfill and support Australian small businesses of today.
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