Description
SOLD in 2024 for AUD $390.
LOCATION- 6km from BRISBANE City but can be posted WORLDWIDE.
Additional story that came from recently researching Ellis Pottery further. (Please skip to Background Info and Provenance Section if you only have interest in the piece on offer.)
Despite the fact that Ellis pottery is so highly-regarded (and collectable) there is little information out there about Ellis in books or even online. Some facts we do know …
- Dagmar and Miloslav Kratochvil, were political refugees who fled Czechoslovakia in 1951.
- Their studio was initially set up in the garage of their home in 1953.
- Orders from Myer / Grace Bros facilitated the expansion of the Ellis operation in the mid-1950’s.
- Their subsequent factory at 86 Nicholson Street, Abbotsford, employed students at the local RMIT.
- The Ellis factory ceased to exist in 1972.
- The factory today in Abbotsford has no trace of their existence and there is very little documentation in books or online about the now-famous Ellis pottery firm.
- Dasa and Milda Kratochvil regularly attended editorial meetings for the Australian-published newspaper, “Hlas Domova” (Voice of Home).
- Despite their now rather obscure history, Ellis Pottery has helped Australian handicrafts sit proudly alongside international offerings from the same era. eg. Bitossi
This is yet another story of resilience and success that has coloured Australia’s rich history in the Arts. Australia’s indigenous artists are regarded as some of the best in the world. On top of this, many artists who fled Europe and settled in Australia as a result of political unrest / World War II, went on to become some of Australia’s most celebrated artists ever, including Dagmar and Miloslav Kratochvil. In my time setting up and running iNVISeDGE, I have read time and time again stories of refugees who set up industries in their garages in the 1950’s and went on to achieve success they could only dream of. Many of these people came to Australia with no physical assets and the trauma of having to flee home and venture into the unknown. We can all learn from their industriousness and resilience.
Dagmar and Miloslav Kratochvil BOTH worked 2 jobs, slaving for 18 hours a day for years (oh I know the feeling only too well) to get to a point where they could afford to set-up their studio in the garage of their home. I, too, set up in my garage until I actually started to get somewhere and local Council closed me down! (Which in hindsight they never should have done. I was not running a business from home, I was merely using my garage to store items for iNVISeDGE. I was too young and exhausted to fight them so I just closed iNVISeDGE at the time.) Once the Kratochvil’s work received the recognition it deserved, their industriousness didn’t stop (it was just the start of what Ellis pottery would later become).
My vendor’s mother was with the Kratochvils and helped them close the Ellis factory in 1972 after nearly 2 decades of creative pursuit. I would love to be able to go back to 1972 and be a fly on the wall as this factory was being closed. What was the feeling as they went about closing 2 decades of creation? Were their hearts breaking or celebrating achievements? I suspect it was a bittersweet moment for all who were there. It breaks my heart that no businesses like Ellis Pottery have survived and now mass-produced “rubbish” that quickly ends up as landfill reigns supreme. These days the only thing Australia seems to do well at is destroying the environment in the pursuit of digging up fossil fuels we don’t even need! The whole idea makes me want to laugh and cry at the same time!
What’s ironic is that COVID-19 may actually help pave the way for small LOCAL CREATIVE industry to prosper again. God only knows how many small businesses in the last decade have largely “slogged their guts out” and got absolutely nowhere. Drowned by international CONGLOMERATES who exist because of the greed of their founders and their overseas share-holders, small business in Australia- small businesses like what Ellis became- have had little chance of achieving the types of success possible in the 1950’s..
If about HALF of us started to value what we should be valuing (ie. LOCAL INDUSTRY) I think we might just be able to start living with peace and love in our hearts again instead of destruction, violence, anger and bitterness. I pray for this almost every day- I pray that the major reform Australia needs becomes a reality. If this is possible (and I believe it is), we will return back to the heyday of the 1950’s where we actually knew the people in our community who created the furniture we sat in, the decor items we revered so much, all of the food we ate and the meals that were prepared with so much love at our local restaurant…
Background Info and Provenance
(This description was written in 2023.)
A handcrafted ceramic elephant by Ellis pottery in the 1960’s. This is the first Ellis pottery creature I’ve had for 2 years now and is the first Ellis elephant I’ve ever seen in the flesh (after about 22 years in this business). This piece is a rare and obvious investment.
I can’t find any Ellis elephants for sale in Australia at the time of writing (2023). There is an old listing online of a cream-coloured one that sold way back in 2012 for $275. See the screenshot included with the photos. I prefer the colours of this one, plus Ellis creatures have doubled in value since 2012 (written- 2023). This is a great investment opportunity- you could be waiting years to find another.
This is a great design as well. It has a flow that Ellis pottery is renowned for. The stylised shape and curves make it a beautiful piece. This elephant certainly attracts attention but is also a refined, sophisticated piece of art pottery.
The thing I love most about it is that even though there is no Ellis sticker, it’s obvious this is an Ellis piece. These 2 colours are distinctly Ellis- we see these colours in Ellis pieces all the time. The way the paint has been applied is also distinctly Ellis. (Plus this is a well-documented Ellis shape and the exact same dimensions as the stickered one that’s included as a screenshot.)
Ellis pottery is much-loved, not just in Australia but internationally. The beautiful stylized shapes won hearts quickly back in the day, so much so that the Kratochvil’s initial setup in their garage quickly became inadequate. When Myer / Grace Brothers started placing large orders, Ellis pottery moved into a factory in Nicholson Street, Abbotsford (not far from Melbourne). The Kratochvil’s employed a team of more than 15 people, many of whom were students from the Art Department of the RMIT.
For many (myself included) searching for Ellis ceramics gives me more joy than any Pokie Machine ever could. When I come across one of the more elusive Ellis shapes, my heart skips a beat, my palms start sweating and I have been known to jump for joy (particularly if I find an Ellis piece in a box under a table at a garage sale! Although, I wait until I’ve left the unsuspecting home before I jump up & down and cheer!)
This stunning ceramic elephant by celebrated handiwork firm, Ellis, has been around for more than a season and certainly more than a few issues of your favourite interior design magazine. If it’s still in vogue after 5 to 6 decades, it will always be. After mass-produced modern pieces have ended up as landfill, this vintage Ellis décor piece (made in AUSTRALIA BY HAND) will be passed onto yet another generation. There’s no better way to invest in your home and help protect our planet for future generations. INVESTING in (and valuing) LOCALLY-MADE hand-crafted items is a small but important way we can all help change our children’s future.
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